It took me a long time to figure out what I wanted to be when I grew up, but once I found it, I fell in love with design. From concepting to final mechanicals, I’m crazy meticulous (yes, that was me who went back and named your layers) and organized. I’m used to working in a deadline-based creative environment, so I can do it both fast and right...the first time.

WORK HISTORY

Nou Designs | 2014 - present, Owner/Designer of Things

  • Conferences - Presentation design, signage, stage/set design

  • Print - Events, advertising, marketing material, in-store

  • Identity/Brand development

    Clients including: AT&T, The Coca-Cola Company, AFLAC, EY, Uncle Maddio’s Pizza, Molnlycke Health Care, Contractor Connection, Leukemia Lymphoma Society, Greek Orthodox Church of New Orleans, and many more.

MELT | 2006 - present, Associate Creative Director

  • Event planning & design

  • Print advertising & point of sale

  • Comps for event planning & new business pitches

  • Powerpoint presentation design/animation

  • Server organization/implementation

The Maverick Group | 2010 - 2011, Senior Designer/Art Director

  • Event theme & signage design

  • Speaker Support Design (Keynote & Powerpoint)

Lord, Aeck & Sargent Architecture | 2000 - 2004, Marketing Manager

  • Managed a marketing team for a rapidly growing, nation-wide architecture firm

  • Design & print coordination for firm’s graphics including promotional materials/mailers, tradeshow booth design, and design standards management

  • Proposal & interview coordination and design

EDUCATION

Creative Circus | 2005 | focus in graphic design

Emory University | 1999 | Bachelor’s of Arts in Psychology

ADDITIONAL INFORMATION

I have extensive experience with existing brands & their standards. Making something new while not breaking the rules is key!

I’ve become proficient in Photo retouching, Photoshop comps for presentation purposes, Powerpoint presentations, etc. over the years.

I have a special place in my heart for designs that turn into physical things. In this increasingly digital world, there’s still something special about holding something in your hands or seeing it come to life once it’s complete - which explains the physicality of my personal artwork, I suppose.

*references available upon request